Ritayanti Chowdhury Teaching Bharatanatyam dance (practical& theory)
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Ritayanti Chowdhury a Doordarshan Graded artist and NET qualifier in performing arts, was a student of M.A. Bharatanatyam of (Madras University) is learning this art form for near about 2 decades. She started her journey with her Mother Aparajita Chowdhury and Lata Paduval. For extra guidance she started learning under Guru. Premchand Homble (Banaras). Later on Ritayanti had a great opportunity to be a disciple of Shri. Sheejith Krishna (Chennai)& Anjana Anand (Chennai).
After returning back from Chennai she started collaborating with eminent artists: Smt. Sudipa
Ghosh (Patna) a Sangeet Natak academy Awardee; Shri. Ramkrishna Chatterjee (Barddhaman)
She is presently member of Bharat Kala Manjari (Barddhaman); Abhikalpana Kalavriksham (Patna) and was a core member of Sahrdaya Foundation (Chennai)
She has Performed solo; duet and Group for more than 20 stages in Madhya Pradesh; Uttar
Pradesh; Punjab; Bihar; West Bengal; Chennai

Completed Sangeet Prabhakar in Bharatanatyam
To be noted few performances are: Presented M.P state at National Level Youth Festival;
Performed at Ghat Sandhya, Varanasi; Performed at ICCR Kolkata for Arani; Performed at BHU Youth festival, Spandan; Performed at Madras University ; Performed for Bharat sanskriti utasav (2021), Barddhaman & Kolkata; Performed for Sanskar Bharati at Patna Vidhan sabha and Patna high court; Choreographed & Performed Dance drama for NSD,
Patna; Performed for Tamil department at Viswabharati University, Santiniketan;
Performed for Indian classical dance and music festival at Durgapur; Performed for Barddhaman Utsav (2022) ; Performed for ICCR in Nepal embassy at Raxaul; Performed for Chandragupt Maurya festival and Champaran festival at Bihar; Performed at Sangeet Natak academy, Delhi. Recently she performed in ANG Natyamahotsav.
She has wide Work experience in Performing arts: Mentor for Workshop (organized by
Bharatatiya Nitya Kala Mandir, Bihar) ; Presented paper on Sangita darpana (for National
Seminar on “Music and Dance treatises” organised by University of Madras) ;Two Program Reviews (Shri. Parthasarathy Gana Sabha, Chennai) Mentor for Workshop(Organized by National School of drama).

Future aspect:
She with the young generation artist want to explore the technical nuances and traditional pieces of Bharatanatyam with some new ideas. She like to give equal importance to the practical as well as the theoretical aspects of Bharatanatyam.
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Subjects

  • Dance Beginner-Intermediate

  • Bharatanatyam - Kalakshetre style Beginner-Intermediate

  • Bharatanatyam dance theory Diploma-Bachelors/Undergraduate

  • NET performing arts Masters/Postgraduate

Experience

No experience mentioned.

Education

  • M.PA Bharatanatyam (Aug, 2019–Jul, 2021) from MADRAS UNIVERSITY, CHENNAI, INDIA–scored 79.8

Fee details

    ₹1,000–1,500/hour (US$11.70–17.55/hour)

    With increase in level and more depth in theory it may vary by 400

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